![]() Finally, from the drop down View box, select Final Result to see your final key.There will be a thin gray outline around your subject (which is okay). Decrease the Clip White until the subject is completely white. Twirl the triangle next to Screen Matte and increase the Clip Black until your background is solid black.We want the subject to be white and the background to be black. Black is transparent, white is opaque, and gray is in-between. You will now see what is transparent and what is opaque in your footage. Pro tip: Hold CTRL while you click the green screen color to sample even more pixels. For Screen Color, select the Color Pickerand click on an area of the green screen close to your subject. ![]() Then click on the little box that says Final Result and choose Status. Let’s start with the Keylight effect, which we’ll use the select the green screen background.Then click on the footage where the color you wish to key out is the most prominent. Now, in the Effect Controls window on the left of your screen, where it says Screen Colour, click on the little eye dropper.Apply this effect to your footage by clicking, holding, and dragging this effect over the footage in the composition window.In the effects panel search for the effect Keylight (1.2), which is under Keying. Bring in your footage to a new composition.This works with any color, but a properly lit green or blue screen will yield the best results. This will take a bit more time with some simple roto-work, but in the long run will help focus the important parts of what they keyed needs to work on.In this article, we will discuss how to chroma key out a background from your video. You can save yourself quite a bit of headaches by making a garbage matte that will limit the amount that you need to key in the first place. ![]() One thing that Jason doesn’t cover is that you don’t necessarily need to key the entire shot. Jason walks through using the preset and offers some tips while using a couple practical examples that challenge the key process with finer hair details. In fact, simply eye dropping color with Keylight will often do the trick, when using the preset. ![]() Click on the gripper area (red highlight) for the layer, and drag it to the right til you see a blue area and then let go. Now, double click on the layer in the Composition to bring up the Layer panel. With the layer selected double click on Keylight to apply it. With these three stacked effects, make pretty easy to knock out the green and get a good matte, really quickly. Then, in the Effect and Presets panel type Keylight. The preset automatically puts down a Keylight effect, in addition to a Key Cleaner Effect and an Advanced Spill Suppression effect. /rebates/2fen2fclasses2fMask-Rotoscope-and-Key-a-Green-Screen-in-Adobe-After-Effects-Easy-Bubble-Distortion-Effect2f236111883&. Many After Effects users may have missed that there is a pretty powerful preset for keying green-screens. So what then is the most quick and effective way to key a green screen in Ae?Īdobe’s Jason Levine shows that it is a combination of three tools. Ae also has a lot of other choices for keying tools when working with green screen. Likely the most referenced is the Keylight plugin, the Foundry’s robust keyer. Now when youre masking, its a good rule of. Adobe’s Jason Levine Shows How a Combination-Effect Preset Can be Your Gateway to Quick and Easy Keys from Green Screen FootageĪfter Effects bundles a few tools for green screen work. Hold H on the keyboard and that will allow you to click and drag, and then you can use the scroll wheel to zoom in.
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